Sayings of Sayyid Ḥusain Aḥmad Madnī, 1878-1957, Indian Muslim religious leader.

Call a belief ‘non-negotiable’ if one cannot abandon the belief without the abandonment of one’s religious perspective. Although non-negotiable beliefs can logically exclude other perspectives, a non-reductive approach to religious pluralism can help to create a space within which the non- negotiable beliefs of others that contradict one’s own non-negotiable beliefs can be appreciated and understood as playing a justificatory role for the other. The appreciation of these beliefs through cognitive resonance plays a crucial role to enable the understanding of (...) those who hold other perspectives. epistemological and spiritual consequences of this claim are explored. (shrink)

There are some texts about moral sentences in the Islamic logical literature especially in the logical books of Ibn Sina that have been interpreted in completely opposite ways. Relying on these texts, some scholars take Ibn Sina to be proposing a non-cognitive theory of ethics and to the contrary some scholars hold that he is a proponent of a sort of moral intuitionism. Reflecting on the alleged textual evidence in Ibn Sina’s books, I propose a middle way in the interpretation (...) that accepts the cognitive status of the moral sentences but at the same time rejects intuitionism. (shrink)

While the ontological arguments of Anselm and Descartes continue to be the source of controversy among philosophers and theologians in the West, scant attention has been paid to the ontological argument first formulated by Ibn Sina (370/980 - 429/1037), and thereafter reformulated by various Muslim philosophers throughout the centuries up to the present day. Here several versions of the argument will be presented in historical sequence, and some of the most important recent discussions of the argument by contemporary Muslim philosophers (...) will be mentioned. Some reflections on the argument and the discussions of it will then be presented along with comments of a comparative nature regarding contemporary Islamic philosophy and Western philosophy of religion. (shrink)

The place of philosophy in Iranian society is prominent. Philosophy is discussed in popular media as well as specialized journals, and in seminaries, research centers, and universities. Philosophy in Iran is often divided into Western and Islamic. Sometimes these are taken to be rivals. The methods of instruction differ to some extent, as well as the languages needed for advanced study. The question of the nature of Islamic philosophy is itself a controversial topic in Iran, and positions on this issue (...) are often driven by ideological trends. The study of philosophy in the Islamic seminaries has its own history. Today Islamic philosophy may be considered a philosophical tradition that is being carried on with increasing interaction with the study of Western philosophy in Iran. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:GAUGUIN: THE OSCILLATING STRUCTURE OF DISGUISE Ralph Hajj University ofMontreal In this essay we will examine Gauguin's self-portraits as ritualistic activity. Through them we will attempt to determine the formal and iconographical consequences ofhis extensive use ofdisguise and how this use can illuminate the nature ofart in general. The ritualistic function of disguise Within the framework ofa given social order, disguise functions as a ritualistic activity. Ritual is aframed (...) event where concepts—which in a non-ritualistic context are strictly differentiated and which take their meaning from this very differentiation—become undifferentiated.In Violence andthe Sacred, René Girard studied the function ofmask in ritual activity: he concluded that within the function of ritual, which is to reinforce the cultural differentiation through a repetition of its undifferentiated origins, the mask introduces undifferentiation between the self, (the human being wearing the mask), and the other (who or what the mask represents): Masks stand at that equivocal frontier between the human and the "divine," between a differentiated order in the process of disintegration and its final undifferentiated state—the point where all differences, all monstrosities are concentrated, and from which a new order will emerge. There is no point in trying to determine the "nature" ofmasks, because it is in their nature not to have a nature but to encompass all natures. (168). Disguise as a form of ritual activity is the representation of undifferentiation or non-representability. It is then a fundamentally paradoxical 168Ralph Hajj activity; an actofundifferentiating which has its condition ofpossibility in differentiated meaning. In turn differentiated meaning has its condition of possibility in a transcendental undifferentiation which the disguise represents. The mutual determination of the two, the totality of meaning and its negation, which is the condition ofpossibility ofmeaning as such, is represented through disguise both as a synchronic state and as a diachronic process. Thus, disguise is one of the forms of synchronic condensation leading to diachronic oscillation. This structure/process of condensation/oscillation is posited here as the universal underlying principle ofritual and in extension ofart in general. The structure/process of condensations/oscillations are seen most clearly in Gauguin's letters and the self-representations put forward inthem where he liked to call himselfa "savage." It is also seen in his self-portraits of 1888-1890, were he alternatively disguises himself as Jean Valjean, as Jesus Christ, and as a Breton priest, among other roles. A study of the paintings were these disguises occur will allow us to make the connection between his self-representation, as seen through his letters, and its consequences on the formal and iconographical level of these and other paintings. This in turn, will allow us to see how the structure/process of condensation/oscillation affects the form and iconography ofhis two most complex works; La Vision après le sermon [Fig. 1], and Van Goghpeignant des tournesols [Fig. 2], both ofwhich were painted in 1888. This choice of paintings will allow us to examine some fundamental generative aspects of Paul Gauguin's work during that period. Self-Portraits as tropes In 1888 Van Gogh, who was interested in creating a colony ofartists, and as a means ofpreserving his ties with the painters ofPont-Aven whom he considered as likely candidates, wanted to exchange his self-portrait with a portrait painted by Paul Gauguin representing Émile Bernard and one by Gauguin representing Bernard (Sugana 94). Gauguin, who had trouble painting Bernard (Correspondence No. 165, 230), painted a selfportrait instead with an outline of Bernard's profile on the background, entitling it Les Misérables [Fig.3] after Victor Hugo's novel. Simultaneously, Bernard painted a self-portrait with Gauguin's profile. Gauguin'sLesMisérables [Fig. 3] is typical ofhis self-portraits, where he is usually disguised, in this case as Jean Valjean. The picture shows Gauguin looking straight at the viewer, his prominent arced nose—which he considered as a sign ofhis "primitive" origins—emphasized. The Gauguin: The Oscillating Structure ofDisguise171 background is painted yellow with decorative designs vaguely reminiscent ofPersian carpets, exceptforagreen areaonthetop rightofthe canvasthat contains a linear portrait of Emile Bernard. In a letter written to Shuffenecker in October 1888, he describesthispaintingand its intentions:...I did a portrait... (shrink)

The enjoyment and pleasure derived from sad music has sparked fascination among researchers due to its seemingly paradoxical nature in producing positive affect. Research is yet to develop a comprehensive understanding of this “paradox.” Contradictory findings have resulted in a great variability within the literature, meaning results and interpretations can be difficult to derive. Consequently, this review collated the current literature, seeking to utilize the variability in the findings to propose a model of differential sad states, providing a means for (...) past and future findings to be interpreted. The proposed model is based on theoretical understanding, as such it requires full empirical support. Comparisons to alternative models, theoretical, clinical, and cognitive implications, as well as future directions are discussed. (shrink)

In this paper I will discuss the main approaches of moral epistemology in the major sects of Islamic theology; the Mu’tazilah and Shi‘ite, who formulated rationalistic ethical system between the eighth and tenth centuries, and the Ash‘arites, who developed a voluntaristic system of morality. At first the answer of Mu’tazila and Shi‘ite to the main question of moral epistemology namely the justification of moral beliefs will be discussed and compared with the intuitionism of Western ethics. Secondly the voluntarism of Ash‘arite (...) concerning the moral knowledge will be discussed and rejected. (shrink)

Divine Motivation theory is an ethical theory with a theological foundation, attempting to explain the relation between religion and morality in the context of Christian theology with emphasizing on neo-Aristotelian and motivation-based ethics. This theory that is presented by Linda Zagzebski, provides a new form of virtue ethics that God's motives, especially that of love, are foundations of moral life and these motivational states are considered ontologically and explanatorily the basis for all moral properties and values. This theory uses five (...) steps to advance its destination. In the first step, this theory proves the personhood of God. In the second step, it argues that God has perfect virtues and motives. In the third step, it shows that God's motive in the Creation is motive of love that is the central and fundamental divine motive. In the fourth step, it discusses the doctrine of imitatio Dei and focuses on the problems of this doctrine. In the last step, it attempts to link this doctrine to the doctrine of the incarnation to resolve its problems. (shrink)

This paper is going to re-read Imam Mohammad al-Ghazali’s moral ideas in order to find the responses to the questions of moral psychology. Al-Ghazali, following the Greek and Islamic philosophers, relates each virtue or vice to a particular faculty in man’s soul. Moreover, following the Asharites, he considers the basis of moral good and badness to be religious. Furthermore, having mentioned al-Ghazali and Hume’s opinions as well as their similarities, this writing explains why al-Ghazali’s view on the moral motivation has (...) not encountered Hume’s objections. And finally, it presents the differences between al-Ghazali and the Greek philosophers’ views on virtues and vices as well as evaluates al-Ghazali’s psychological opinions in ethics. (shrink)

On the status of women in Muslim society with special reference to Afghanistan.

On the proofs of existance of God according to Muḥammad ibn Ibrāhīm Ṣadr al-Dīn Shīrāzī, 1641.

On Qurʼān and its teachings for Muslims and humans.

International Institute of Islamic Thought; Islam; essence, genius, nature; history.

نسبی‌انگاری اخلاقی یکی از مکاتب کهن فرااخلاقی است که به وجود ویژگی‌های اخلاقی، و صدق و توجیه احکام اخلاقی می‌پردازد. با این حال، بخشی از بحث‌های مربوط به نسبی‌انگاری متوجّه معناشناسی جملات نسبی است. نظریات نسبی‌انگارانۀ سنّتی زمینه‌گرا هستند، به این معنا که احکام اخلاقی را دارای عنصری می‌دانند که به نحوی ارجاع به گوینده دارد. این دیدگاه نسبی‌انگاری را با چالش‌هایی مواجه می‌کند، از جمله این‌که اختلاف نظر که یکی از اسباب عمدۀ گرایش به نسبی‌انگاری است، به سوء تفاهم (...) فروکاسته می‌شود. برخی نسبی‌انگاران اخیراً تلاش کرده‌اند تا نظریاتی ارائه دهند که با ثابت دانستن محتوای احکام، دچار مشکلات زمینه‌گرایی سنتی نباشد. یکی از این تلاش‌ها، نظریۀ نسبی‌انگاریِ دربارۀ خود (de se relativism) اندی ایگن است. ایگن با ترکیب نظریۀ دیوید لویس درباب محتوای باور، نظریۀ رابرت استالنیکر درباب اظهار، و نظریۀ استعدادی دیوید لویس درباب ارزش، بر آن است که نظریه‌ای نسبی‌انگارانه دربارۀ ارزش ارائه کند که با طبیعی‌انگاری، درونی‌انگاری احکام اخلاقی، و شناختی‌انگاری سازگار باشد، و از اشکالات دیگری که خودِ او بر زمینه‌گرایی وارد می‌کند مبرّا باشد. در این مقاله نظریۀ ایگن بررسی می‌شود و نشان داده می‌شود که نظریۀ او نه‌تنها از اشکالات وارد بر زمینه‌گرایی رها نیست، بلکه به دلیل پذیرش نظریۀ لویس در باب محتوای باور بار بیشتری بر دوش دارد که آن را نسبت به دیگر نظریات نسبی‌انگارانه مرجوح می‌سازد. -/- . (shrink)